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Novels by Mary Marcus

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MOMA

It was raining cats and dogs when I went to MOMA today with my friend Mark, who is in town to cover some musical events. The MOMA of today isn’t the MOMA I cut my teeth on, where I knew where everything was. The new MOMA is beautiful. I knew the first time I entered its doors it was beautiful, but it’s not home anymore, it’s just a beautiful place where I don’t know my way around. Mark was interested in this thing that was going on, a dance choreographed by someone he admires a lot, with a group of musicians that changed every hour.  It was in one of those gorgeous big white rooms of many stories with galleries and window spaces dotting the walls. The room was white, the walls were white, the floor was white. The dancer was wearing white.  We leaned against the wall, and watched the dancer and listened to the piano music that was strange, hard to process and alienating—but not alienating enough to be awful. I didn’t exactly get it, but I liked it. The dancer was moving around the room. Mark told me sotto voce that the choreography owed a big debt to Merce Cunningham, someone Mark had known well. Myself, I thought the choreography owed a big debt to yoga. There was an up-dog, a down-dog, a gorgeous upward facing bow, not to mention several Warrior III’s. But that seemed like a stupid thing to say to my friend. Or to anyone else who wasn’t into yoga. I thought about the old MOMA where there weren’t all these huge public...

Okla Elliot

Very few of my close friends are on Facebook. I participate to post my blog and do the occasional round of keeping up with the two thousand plus imaginary friends I have, that I “made” in order to promote my work. Though I like the pictures of people’s children and dogs, any and all yoga stuff, the occasional plate of gorgeous food, I think we all spend too much time on line. It’s bad for the eyes, it’s bad for the ass, and I think honestly it’s even worse for the spirit. I say this about FB with a few notable exceptions. One is my friend Andrea, whom I’m seeing in a few minutes. The other is the wonderful fiction writer Steve Yarbrough who I can honestly say is my real friend, whom I wouldn’t have met but for Facebook. I read his posts the same way I read the New York Times: religiously. Steve plays the guitar and will sometimes make a video of himself playing Bluegrass. It’s great fun. Friend him on line, if you like gentle reader, but better than that, read Steve Yarbrough’s books. The other person whom I’ve been following (far less sedulously) was a dude named Okla Elliot who was young, taught English and religion at some obscure university and wrote a book about Bernie Saunders during the campaign. And always had a lot of lively things to say about poetry, about the books he was reading, about his life (which sounded weird, frankly), monkish with junk food seems to be the only description I can come up with. Okla was found dead...

Husband Gone To The Wolves

It’s pilot season here in Los Angeles. If you are married to an editor who isn’t working on something else, that often means, he or she will be gone for seven to nine weeks seven days a week 15 hours a day (not counting the commute) and you will feel like there’s a war going on. Or the spouse has sailed off 18th Century style in a boat with fellow sailors, lime juice to prevent scurvy, and perhaps Captain Bly at the helm. It’s not a pretty sight, once it gets going. My husband who has the stamina of five horses, two oxen and eight goats, loves these death marches. Me, I wouldn’t last half an hour. I visited him once years ago in one of his cutting rooms during pilot season because I hadn’t seen him in a few days. He was happily at the helm of the Avid, arms out like a concert pianist, with a frazzled writer/producer nearby, running the scene forward, backward, sideways. He hadn’t slept in a couple of days and the bags under his eyes looked like suitcases. But he was happy as a clam. (Have you ever wondered how a clam feels happiness? Let me be the first to say, this is the first time I have wondered….) That’s the thing editors do: they run the scene (any scene, in real life or in screen time) forward, backwards, sideways, and they try different music and they jump cut. This is, for better or worse, their approach to reality. To see a world in a grain of sand and heaven in a wildflower,...