Faulkner said it best: “the past is never dead. It’s not even past.” It’s heartbreaking to me that Lavina, my novel about the bad old days of Jim Crow arrives today on a bad day in Baltimore. Like that other bad day in Ferguson some months ago. I have a big thing about remembering. Which is one of the reasons why I set out to write about my early childhood in the deep south. A south that I was hoping was over. The question is not what we are doing wrong here in this country. But what we just aren’t doing at all. The race thing plays itself out in so many destructive ways: low wages, lack of educational opportunities, mass incarcerations, slums, the list of demons goes on and on. And now because of those reasons and many more, another city burns. Again. Who is responsible? What happened to the dream? What happened to the way things were supposed to be? Here’s a free extended excerpt of Lavina, for anyone who is interested in my story of music, beauty, and murder, and of gender inequality, race inequality, and the deep Jim Crow south....
I suspect the main reason I ended up writing Lavina is on account of the fact that I lost my picture of Aline. I can see it so clearly. There’s her familiar small head. She’s wearing her best wig and looking straight at the camera. I think she had it taken at the Woolworth’s upstairs, not in the machine downstairs where you put in a quarter and it took a whole line of ugly images. The upstairs claimed to have a “professional photographer” in residence. In Aline’s lost photo, she selected the background of clouds against a cerulean sky. Her arms are folded and she’s resting her head on her strong brown arms. You can see the mole on her nose and that one of her front teeth was gold. The photographer managed to capture Aline’s beatific smile, one that radiated good humor, stoicism and intelligence. Aline was my mother’s housekeeper and she came to work for us when I was nine years old. Three of her predecessors had run away screaming. We lived in a big house in those first years of Aline’s tenure. It was the house my parents were building at the time my father suffered a massive coronary following a pig-out at a Luau he and my mother attended on a Saturday night in February in Shreveport, Louisiana. He was forty-one years old. The house had four bedrooms, a kitchen, a breakfast room, an enormous den, a bookroom we called the library, a powder room and much, much more. The house wasn’t paid for and maybe that’s one of the reason’s he kicked off in such an untimely manner: to escape having to deal with the folly of his and my mother’s excesses. My mother...
He was tall, he was dark and he was handsome. In my mind’s eye, he resembles the dancer/actor Gregory Hines. And he was the first man I ever loved. I used to sit on his lap and somehow doing that taught me how to read. Though I was very interested in learning to read, chiefly so I could read the Grimm’s fairy tale: “The Fisherman and His Wife,” which is still my favorite fairy tale. I learned how to read by following Jimmy’s long thin finger as he read pulp fiction. The Rise and Fall of Legs Diamond, was the book I remember best. And I think the first book I read. It was easier than Grimm. The book had a lurid cover with two women and one very well dressed man, the eponymous Legs dressed in black with black and white spats. To this day, pulp fiction delights me as it delights my husband, my son, and I’m sure my dog, if when sitting on my lap as he often does, could learn to read that way. Jimmy was my father’s driver. It sounds very high falutin for my father to have had a driver. But we weren’t high falutin, much to my mother’s chagrin. My father was studying to be a lawyer before the War. He came home and ended up like all but one of his other four brothers, selling dresses on the road. He and Jimmy drove all through Texas, Arkansas, and Oklahoma selling dresses. This was in Dallas, Texas where we lived until I was five. And the Uncles started buying up stores and...